Most artists who want out of the seat have no idea what the path actually looks like. I went from 3D artist to supervisor to production manager on feature films. I can tell you what that transition really costs and what it gives you.
We can cover: whether production is right for you, what studios actually assess, how to position experience you already have, portfolio and resume review, ShotGrid and pipeline fundamentals, or negotiating a move internally.
Honest answers. If I think you are aiming at the wrong thing, I will say so.